Clutch: He Is Miserable Without White Validation

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It’s a shame self-loathing Negroes like The Guardian’s Orville Lloyd Douglas didn’t take the “Big Poppa” lyric “I wish people suffering from I hate being Black disorder took the Biggie line, “Heart throb never, Black and ugly as ever. However, I stay Coogi down to the socks.” more to heart.

I’m half-kidding, but after reading Douglas’ “Why I hate being a black man” I have to make some kind of joke from stopping myself from crying silent tears over such a grand display of defeatism. In Douglas’ essay, he laments over the fact that “Every time I sit on a crowded street car, bus, or subway train in Toronto, I know I will have an empty seat next to me.” His sister explains that his towering presence and Black skin are dually intimidating to Canadians. As Douglas himself argues, “Although Canadian society presents the façade of multiculturalism the truth is Canada has a serious problem with the issue of race.”

Yeah, but so does Orville Lloyd Douglas.

To be fair, Douglas is correct in his assertion that when it comes to Black self-hatred, it “is usually depicted from a female point of view.” In that regard, I commend him for daring to do what many would deem emasculating. Damn him all the same, though, and damn anyone like him who may recognize a problem but use his or her platform to further perpetuate it.

wrote a response to a previous Douglas essay in which he condemned 12 Years A Slave and all slave-themed movies based on the notion that such works “are created for a White, liberal film audience to engender White guilt and make them feel bad about themselves.” He argued “these films are unlikely to teach you anything you don’t already know” and then said, “Frankly, why can’t Black people get over slavery? Or, at least, why doesn’t anyone want to see more contemporary portrayals of Black lives?”

At the time, he looked like a fool with the intellectual curiosity of a gnat, too stupid to understand the nuance in Steve McQueen’s depiction of slavery and most of the movies that preceded it and too lazy to use the magic machine known as Google to realize that while 12 Years A Slave may be highly buzzed, there are actually a lot of Black movies out this year that do just that. As for his inability to grasp that slavery is a part of history, and thus, always a relevant story worth telling from different angles, let us all sing Aaron Hall’s “DUMB, DUMB DIDDY” really, really loud.

We can now add hypocrite to the list as it’s fine for him to pen maudlin works in an effort to illicit white guilt (on top of bashing Black movies outlining racism for white amusement), but not okay for anyone else to make white people sad.

Read the rest at Clutch.

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