Even if it can boast of being a critical darling that’s generated historic ratings for the network, Underground‘s fate at WGN America appears to be all but sealed.
“It’s a complete pause at WGN America,” an apparent “agency insider” explained to the publication. “It’s unclear if they’ll still have scripted there. I had something being shopped there, and talks suddenly just stalled. They’re figuring out what they’re going to do and if they even continue on with scripted.”
All hope isn’t lost for Underground fans, though. Its producer, Sony Pictures Television, has been trying to find a new home for the show, which reportedly carries a $5-million-per-episode cost. The show already has an exclusive deal to air episodes on Hulu, so here’s hoping that Hulu will add the show to its roster of original programming. After all, Hulu could use more color in its programming slate.
For those who didn’t take heed to my previous call to watch the show, stop depriving yourselves of greatness and dive in. The second season of Underground is superior to what was already an outstanding inaugural run. And while every cast member on the show is impressive in his or her respective role, Underground has given me a strong and ever-increasing affinity for the talents of Amirah Vann, who plays Miss Ernestine on the series.
While I’ll join fellow viewers in prayers, happy thoughts and wishes upon a star that Underground gets a third season on a deserving network or medium like Hulu, there is another aspect to WGN America’s new owners that ought to alarm anyone who worries about the role that big, conservative-leaning conglomerates have in our collective viewing habits.
Read the rest at The Root.