While discussing how wrong and utterly stupid people can be about anything Beyoncé related, my friend La succinctly packaged my grievances by noting, “I hate that every time she does something, it means we all who pay attention and have critical thinking skills have to suffer thru think pieces from who don’t.” She added an “lol,” but my ass ain’t laughing. The thinkpieces haven’t arrived yet, but the thoughtless musings have already started.
For starters, this idea that “7/11″ sounds like something from Unapologetic. Songs like “Pour It Up” are taking cues from Juicy J and “trap,” both of which are heavily (and admittedly by producers) influenced by DJ Screw and UGK. You know, the area where Beyoncé is actually from. As someone who still occasionally writes about music, it irritates the ever living shit out of me how often people who write about music don’t know much about it. This is always true about anything southern Black related.
Even after the now perfect visual, there are some who once again want to echo this sentiment and attribute to the larger point: Beyoncé is copying Rihanna. The people who think this are more than likely the folks who had no idea about the term “ratchet” and Lil’ Boosie until they discovered Twitter. Likewise, these are people who don’t know anything about southern rap outside the shit they discovered in the aughts — so much of which is nothing more than an amalgamation of sounds from the cities of Houston, New Orleans, Dallas, and Miami. This is probably why some felt “Bow Down” was jacking A$AP Rocky, the Harlem native whose entire sound has largely been derived from the Houston rap me and Beyoncé listened to in like elementary and middle school.
Let’s just be clear that a Black girl from Houston, Texas doesn’t need to take cues from a girl born in Barbados, a man from Harlem, among others riding off a Houston influence (Hey, Aubrey Graham) on how to incorporate Screw-influenced music and otherwise hood shit into her act. Especially if said artist is from the Third Ward area of H-Tine, and most of all, has been doing “ratchet” shit before these complaining sum’bitches started dick-riding the term and proceeded to abuse to death.
Since Destiny’s Child started, Beyoncé has worked with local Houston rappers, No Limit rappers, and if you gloss over the Destiny’s Child catalog, has as many birds in her stock as a Popeye’s on MLK. Never forget that Destiny’s Child scored a crossover hit in a song like “Soldier,” which is about their love of a big dick thug. This is a song that came out after they became mainstream staples, mind you.
Beyoncé is also the girl who flipped an old DJ Jubilee sound into an R&B dance track. Perhaps some of you were blinded by the video, which was inspired by The Frug Bob Fosse’s film adaptation of the Broadway musical Sweet Charity, but that’s still New Orleans bounce you are dancing to, beloveds.
I could go on – Beyoncé breaking into the southside flow on “Kitty Kat” – but these motherfuckers don’t pay attention or listen, so why keep bothering? If anything, unlike Rihanna and many other Black acts, Beyoncé is someone whose music remained unapologetically Black more often than not in spite of the shrinking influence of “urban radio” and the pressures to join the EDM, Kid Bopz sounding bullshit one finds on those pop stations.
By the way, I also some tweet that said “7/11″ sounds like The Lonely Island’s idea of a Beyoncé song. That’s some white people shit and I’ll leave it at that. Well, I’ll add a “God bless.” There. Next.
Oh yes, there’s that lingering complaint that Beyoncé has no personality. Early interviews have long suggested otherwise. What Beyoncé did do, though, is pull back on the media in the wake of LeToya and LaTavia’s dismissal. She probably didn’t want to end up being portrayed as Diana Ross given these days the only folks who can get away with such behavior are the Katherine Heigls of the world.
I welcome constructive criticism of Beyoncé. I can think of a few areas worthy of consideration. No, I won’t share ’cause I’m not up for doing the work of lazy thinkers. However, what is and continues to be the main problem about this line of critique about Beyoncé is that it’s brainless and often comes from people who come across butt hurt by her for whatever reason. Shut up, or at least, step it up.
Anyway, all hail the biggest pop star in the world for making a music video on an iPhone 6 for a song with absolutely no structure, but is the bop…which is really the most important anyway.