Two years ago Azealia Banks had a point about gay media and its portrayal of her as homophobic in light of her use of the word “f–got.” Though I did not agree with her, she was right in noting that some celebrities—i.e., the white ones who either are a part of the lesbian, gay, bisexual and transgender community or consider themselves allies—were given de facto passes to use it, while she was categorized as hateful. Although I defended her then from those charges, at this point there is no denying what the Harlem-bred emcee has made all too clear: She very much has a problem with gay men.
In a recent tweet she claimed, “Gay media has to stop using homophobia as a means to try and victimize itself and scar the names of its opponents.” And in an exchange with Vice writer Mitchell Sunderland (which she initiated, by the way), Banks not only berated Sunderland for being far less well off than she but further insulted him because she had an “extra hole” and he did not.
Banks went on to argue that gay men have no claims to their culture because it’s all derived from femininity and women. I’ve heard this argument before; it sounds stupider each time. Yes, a very long time ago, men who went on to become drag queens and those who started ball culture might have pulled initial inspiration from the women who clearly influenced them; however, these were marginalized folks who pulled from the dominant culture and subsequently created and developed their own thing.
When Banks samples Dorian Corey’s commentary in the iconic documentary Paris Is Burning on her mixtapes, among other influences from gay black culture in other aspects of her art, she should be very much clear that she didn’t build that. After all, if gay black culture is a direct bite from black women, why not go to them instead of the queens?
This is like saying that black colloquialisms are not black because they stem from the English. Actually, before Banks started crying about black culture being appropriated by white people for greater fortune on Hot 97, she made this point in a since-deleted tweet last year: “Like black American culture is ESSENTIALLY some adapted version of British culture, Because American culture is bastardized English culture.”
I think it’s cute that someone has since lent her the syllabus for an intro-level African-American-history course, which is why her tweets have become noticeably more black since then, but she is not as thoughtful as she thinks she is or as some have pegged her to be.
Read the rest at The Root.